Tag Archives: W.E.B. DuBois

W.E.B. DuBois

W.E.B. DuBoisIn The Life Fantastic, Pietro Jones is inspired by the writing of W.E.B. DuBois. From the PBS show, “The Rise and Fall of Jim Crow,” DuBois is described in this way: 

W.E.B. DuBois, 1868-1963

For many young African Americans in the period from 1910 through the 1930s, Du Bois was the voice of the black community. He attacked Woodrow Wilson when the president allowed his cabinet members to segregate the federal government. He continued to fight against the demand by many whites that black education be primarily industrial and that black students in the South learn to accept white supremacy. Du Bois emphasized the necessity for higher education in order to develop the leadership capacity among the most able 10 percent of black Americans, whom he dubbed “The Talented Tenth.”

Du Bois was a co-founder of the Niagara Movement, which addressed inequality, and the NAACP, which is still active today.

This “mini biography” from Biography.com elucidates several of the remarkable accomplishments from DuBois’ life.



W.E.B. DuBois

The Souls of Black Folk W.E.B. DuBoisPietro Jones, one of the main characters in The Life Fantastic, is inspired by the writings of W.E.B. Du Bois. Du Bois’s well-known book, The Souls of Black Folk, is Pietro’s most prized possession. As Pietro travels from one city to the next, he also reads the articles that Du Bois writes for New York’s Amsterdam News and other newspapers.

Do you know about this pivotal sociologist, author, and civil rights activist? He was one of the founding officers of the National Association for the Advancement of Colored People (NAACP). This History Channel video provides a helpful overview of DuBois’ achievements in founding the Niagara Movement and later, the NAACP.



The Life Fantastic, Question One

The Life FantasticLiza, what is The Life Fantastic about?

It is 1913 and vaudeville is America’s most popular form of entertainment. Thousands of theatres and opera houses across the country host vaudeville troupes, including the Princess Theater in Brattleboro, Vermont. There, fifteen-year-old Teresa LeClair—who has a “voice like a nightingale”—remembers the thrill of singing onstage as a child. But her parents gave up life on the road, and her father has decided that Teresa, blessed with perfect pitch, should drop out of school and work in the tuning rooms of the local organ factory. 

Determined to escape, Teresa wins an amateur singing contest in Vermont and steals away on the night train to New York.  She hopes to become a star on Broadway’s “Great White Way.” She has no idea of the challenges that lie ahead, and her younger brother, Pascal (a budding juggler) complicates her adventure by stowing away on the same train. In the city, Teresa struggles to follow her dream and care for her brother, while fearing that her father will find them and force her to return home.

Brattleboro Vermont

Brattleboro, Vermont today … the historic district

Luckily, a more experienced vaudevillian named Maeve—who performs with a troupe of circus dogs—takes Teresa and Pascal under her wing. She coaches them as they perform in two-bit, amateur night competitions. In New York, Teresa runs into Pietro Jones and his father, talented African American dancers who had also performed in Brattleboro. Teresa and Pietro become competitors as well as prickly friends. At a time when young black men could be lynched for simply looking at a white girl, Pietro understands, better than Teresa, the danger of their relationship. As they compete in one contest after another, Teresa’s father tracks her down in New York—and demands that she return with her brother to Vermont. Instead, Teresa slips away again, wins a place on vaudeville’s Silver Circuit, and travels west with Pietro, his father, Maeve—and the dogs.

W.E.B. DuBois

W.E.B. DuBois

Performing in Western cities and towns, their vaudeville troupe appears in five or six shows a day. They “jump” from one town to the next, sleeping on trains or in fleabag hotels. Every performer risks audience disapproval, which can cause a stage manager to give them “the hook”—and send them packing. As they travel, Teresa’s eyes are opened to the discrimination her black friends face on the road.  She also learns, from Pietro, about a new movement for equal rights growing under the leadership of the great civil rights activist and writer, W.E.B. DuBois.

Teresa’s friendship with Pietro deepens to attraction, even as they realize they could never be together. When Pietro’s father becomes ill and can’t perform, Teresa and Pietro sing a duet onstage—with dire consequences for their careers and their safety. Teresa’s struggle to find her voice onstage and in her life, far from the support of her family, takes place against a complex backdrop of American history.